Wednesday, January 11, 2006
It's been done
I have heard - "there is no such things as an original story". It's all been done before. The zinger or selling point is doing it in a unique way, with an interesting hook and/or twist.

Your approach to the century old, "Boy meets girl, boy pisses off girl and loses her, boy gets girl back" is what makes it a truly interesting story.

It's interesting. The Rosebuds have an annual plotting weekend, as well as Cheddars brainstorming sessions and plot books with one another. We have often said, we could take the one outline and six of us write it up and come up with six totally different stories. Each has their own voice and style.

So, how do you find that thing that sets you apart? How do you come up with a hook or gimmick that will sell your book over another? I wonder that so many books actually make it to print sometimes.

Summer of '04, I got a bunch of books (100+) at the RWA conference. I made a valiant effort to read as many as possible (all but 20 or so - woohoo!). Funny thing - I read these two in a row. Different authors, different publishing houses and the same story. Not only the same story - hero/heroine had the same jobs in both books, the heroine even had the same name. And keep in mind it wasn't Jane or Sue it was a unique name. The H/H past relationship was even based on the same experience - too freaky. (one Author a NY Times best seller - the other making her way up there)

Depending on the day, I am torn between this being a good thing, "Well surely *I* can get my book(s) published, too." or a bad thing, "Why do I even try."

Haven't decided what day today is yet . . .
5 Comments:
Blogger Tsavo Leone said...
I think you've mentioned it elsewhere before now, but it's all about the luck of the draw (and how p*ssed off the agent/editor is that day).

That being said, in any given genre there are only so many combinations that can come up in terms of story, setting, and characters. And given the names issue you mention, it wouldn't surprise me if the name in question had a particular social significance in the months preceding writing.

I think that may be the reason why certain houses look down on sci-fi, fantasy, and horror: the possible permutations are staggering and the resultant tale needs to be explained before it can be told sometimes. So maybe the moral is to give the agent/editor some lowest-common-denominator b*llsh*t, and once they've signed you up for x number of novels you can hit them with your eight part romantic tour de force (or, in my case, Hellraiser-meets-Highlander on a Ring of the Nibelung scale)

Blogger Denise McDonald said...
Some other writers get mad when I say that romance *IS* formula writng - it is - like you said there is only so many combinations out there. It reminds me of those bound kid books that have so many face, bodies and legs - you can flip through it and change it up, but eventually you wind up repeating this combo or that!

It's the style and unique twist that set it apart - you just gotta find it!

Blogger Bonnie S. Calhoun said...
You're exactly right! It's the writer's voice and that unique twist....and finding the agent or editor that likes that combination!

You'll make it, I have faith in you!

Anonymous Anonymous said...
Hey Dennie. Check out Suzanne McMinn's site. She has a great Hook and Twist explanation, not to mention an amazing Dream Big workshop. It's under for writers. I tend to agree with you about voice, but I was still totally fraked out when i entered the Intrigue logline contest and then got my Intrigue newsletter a coule days later. One of the new book descriptions starts with the same concept as mine, almost exactly the same. :-(
But then I remembered voice and decided it was okay.

Blogger Denise McDonald said...
Aw Bonnie - thanks!

Marybeth - I will check out her site! Thanks ~